Expanding on Siegfried Zielinski’s groundbreaking inquiry into “deep time” of the media, the essays in Variations on Media Thinking further the eminent media theorist’s unique method of expanded hermeneutics, which means for him interpreting technical artifacts as essential parts of our cultural lives. Covering such topics as the televisualized “Holocaust,” the ubiquity of medi...(展开全部)

Expanding on Siegfried Zielinski’s groundbreaking inquiry into “deep time” of the media, the essays in Variations on Media Thinking further the eminent media theorist’s unique method of expanded hermeneutics, which means for him interpreting technical artifacts as essential parts of our cultural lives. Covering such topics as the televisualized “Holocaust,” the ubiquity of medi...(展开全部)

In Wild Blue Media Melody Jue destabilizes terrestrial-based ways of knowing and reorients our perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived. By recentering media theory on and under the sea, Jue calls attention to the diffe...(展开全部)

In Wild Blue Media Melody Jue destabilizes terrestrial-based ways of knowing and reorients our perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived. By recentering media theory on and under the sea, Jue calls attention to the diffe...(展开全部)

Jean-Clet Martin offers an insightful reading of Deleuze, from the point of view of a student, a reader and a fellow philosopher with whom Deleuze himself corresponded about his work. By providing a philosophical reading of Deleuze by a major philosophical peer, Martin offers the reader a unique analysis of Deleuze's texts. An opening letter-preface by Deleuze to Martin testifi...(展开全部)

阿诺德·伯林特，美国长岛大学教授，曾任国际美学学会主席、国际美学学会秘书长、美国美学学会秘书长，现任国际应用美学学会国际咨询委员会主席。阿诺德·伯林特教授研究领域广泛，主要著作有：《美学再思考》(2005)；《生活在景观中——走向一种环境美学》(1997)《环境美学》(1992)；《艺术与参与》(1991)；《审美经验的现象学》(1970)。其著作被译成法文、俄文、芬兰文、波兰文、希腊文、中文、韩文等多种文字。

In this brilliant contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of vis...(展开全部)

In this brilliant contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of vis...(展开全部)

In this major new study, philosopher and cultural theorist Fredric Jameson offers an innovative reading of a book that forms part of the bedrock of modern Western thought: Hegel's Phenomenology of Spirit. Whereas other writers have interpreted the Phenomenology as a rigidly closed system, Jameson discovers it to be a more fluid, open-ended work. Hegel's mind is revealed to be a...(展开全部)